At the crossroads between abstract and figurative, my works are influenced by changes in my life and [my] surroundings. Starting with the series Junkyard Symphony, my paintings have gradually become more of a surrealist journey into the universe of the urban periphery. My paintings capture the devastating effects of junk invasion and consumerism on our environment. Allegorically recomposed, all these reminiscences of our daily waste are caught dancing, floating in their singularity. In more recent series like Personal Mythologies, Hybrid Playground or Synthetic Future, they even start to create their own story. With an increasing appearance of figurative elements and even insertions of pop art, works like “Synthetic Future” criticize capitalism, consumerism, waste and pollution, sending a warning sign about the future.